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The ARSONIST HEART


"I am not here to disturb the peace. I am here to disturb the war"

Ran into an old friend yesterday
We made these images years ago

It was time….

tiny works in big times:model:tanja

Reality….?

I got an email today from a producer friend of a friend wanting me to join the cast of a reality show on Fox.

After having a show nearly be a go twice on Discovery and seeing the machine that is behind all reality television, this one is a no brainer….

I’ll be polite about it…

SOON-oilgraph on wooden panel // 8”x10”-

SOON
-oilgraph on wooden panel // 8”x10”-

SOON-Oilgraph on wooden panel // 10”x8”-
model:kym

SOON
-Oilgraph on wooden panel // 10”x8”-

model:kym

TRANSMISSIONSIN THE NIGHT

TRANSMISSIONS
IN THE NIGHT

"After a few hours Marina and I were presented to the chief, who was sitting on a raised platform above the pits. We’d been told we couldn’t turn our backs on the chief at any time or ever be higher than he was. So we scrambled up onto the platform with our film equipment and sort of duck-waddled up backwards to the chief. As a present I brought one of those Fred Flintstone cameras, the kind where the film canister is also the body of the camera, and I presented it to the chief. He seemed delighted and began to click off pictures. He wasn’t advancing the film between shots, but since we were told we shouldn’t speak unless spoken to, I wasn’t able to inform him that he wasn’t going to get twelve pictures, but only one, very, very complicated one."


Read more: Laurie Anderson - Word Of Mouth Lyrics | MetroLyrics
NETTIE - VAGABOND SONGS // LOS ANGELES
NETTIE - HOLLYWOOD

NETTIE - HOLLYWOOD

NETTIE - HOLLYWOOD

After the shoot we went out for Mexican food and beerShe was a force of natureand nerves were touchedWe talked a lotmore than we shot actuallyAnd we shot a lot…We talked about Jesusand perceived injusticesI remember there were tears
The chile rellenos would never make upfor what we made that dayand I confessI’m terrible at getting images to models
For me images take timeand they seem to choose their own seasons(not an excuse)but I found these last nightand I think they are beautiful…
They’re beautiful becausethey were just youJesus and tacosin Hollywoodat intersections that happened only oncesomewhere near Beverly and La Brea
And this city breathed unyielding in it’s costs

NETTIE - HOLLYWOOD[Film and tacos]

After the shoot we went out for Mexican food and beer
She was a force of nature
and nerves were touched

We talked a lot
more than we shot actually
And we shot a lot…

We talked about Jesus
and perceived injustices
I remember there were tears

The chile rellenos would never make up
for what we made that day
and I confess
I’m terrible at getting images to models

For me images take time
and they seem to choose their own seasons
(not an excuse)
but I found these last night
and I think they are beautiful…

They’re beautiful because
they were just you
Jesus and tacos
in Hollywood
at intersections that happened only oncesomewhere near Beverly and La Brea

And this city breathed
unyielding in it’s costs

NETTIE - HOLLYWOOD
[Film and tacos]

ALAN BARNES(WET PLATE)

ALAN BARNES
(WET PLATE)

"DO NOT TURN THIS SWITCH ON"

"DO NOT TURN THIS SWITCH ON"

QST QST…..STATUS IN BAJA NEEDED

Putting this out to the amateur community. Hurricane Odile is smashing into Baja pretty fiercely right now and a friend contacted me to see if I could get a status on a marina there (that his family owns) where people are living in boats. I haven’t been able to get anything yet on HF.

I’m going to continue to monitor, but if any operators out there can hear a status, that would be immensely appreciated. 73 K1KMO

http://www.nhc.noaa.gov/refresh/graphics_ep5+shtml/145206.shtml?hwind120?large#contents

Marina del la Paz
Calle Topete 3040, El Manglito, 23000 La Paz, BCS, Mexico
24° 9’15.33”N
110°19’34.97”W